<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Gollancz blog</title>
	<atom:link href="http://www.gollancz.co.uk/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.gollancz.co.uk</link>
	<description>Just another WordPress site</description>
	<lastBuildDate>Fri, 17 May 2013 10:31:34 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
		<item>
		<title>Friday Reads: Introducing Adventure Rocketship!</title>
		<link>http://www.gollancz.co.uk/2013/05/friday-reads-introducing-adventure-rocketship/</link>
		<comments>http://www.gollancz.co.uk/2013/05/friday-reads-introducing-adventure-rocketship/#comments</comments>
		<pubDate>Fri, 17 May 2013 10:31:34 +0000</pubDate>
		<dc:creator>Jon</dc:creator>
				<category><![CDATA[Author Post]]></category>
		<category><![CDATA[Author Tour]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Adventure Rocketship]]></category>
		<category><![CDATA[Anthology]]></category>
		<category><![CDATA[Jonathan Wright]]></category>
		<category><![CDATA[Let's All Go to the Science Fiction Disco]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6372</guid>
		<description><![CDATA[<p><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/front-cover00.jpg"></a> Gollancz is delighted to bring you a special guest post from Jonathan Wright. </p>
<p>The blast-off date for the first-ever flight of Adventure Rocketship! is here. As the exhausted editor of a new anthology that’s been steeping in speculative fiction for some months now, it’s hard to imagine that anybody in the whole world anywhere might not be fully conversant with its contents. Then again my perspective is, I have to admit, uniquely skewed.</p>
<p>So best take a step back and set out some ... <a href="http://www.gollancz.co.uk/2013/05/friday-reads-introducing-adventure-rocketship/">More</a>]]></description>
				<content:encoded><![CDATA[<p><em><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/front-cover00.jpg"><img class="alignleft size-medium wp-image-6373" alt="front cover00" src="http://www.gollancz.co.uk/wp-content/uploads/2013/05/front-cover00-183x300.jpg" width="183" height="300" /></a> Gollancz is delighted to bring you a special guest post from Jonathan Wright. </em></p>
<p>The blast-off date for the first-ever flight of <strong><i>Adventure Rocketship!</i></strong> is here. As the exhausted editor of a new anthology that’s been steeping in speculative fiction for some months now, it’s hard to imagine that anybody in the whole world anywhere might not be fully conversant with its contents. Then again my perspective is, I have to admit, uniquely skewed.</p>
<p>So best take a step back and set out some basics. For a start, it’s the first offering in what’s planned to be an ongoing series that mixes up fiction, essays and interviews. Each issue is themed, with the opening offering – <strong><i>Let’s All Go To The Science Fiction Disco</i> </strong>– devoted to the intersection between SF, music and the counterculture.</p>
<p>So why the choice of subject? At least in part, it’s down to Jarvis Cocker. Sometime last millennium when I was scraping a living as a music journalist, I received a Pulp press release bemoaning – and what follows is from unreliable memory, but it’s the spirit that counts – life not turning out more like <strong><i>Space: 1999</i></strong>. By which I don’t think Sheffield’s finest were calling for the Moon to be torn from Earth’s orbit, it was more to do with disappointment over the lack of silver suits, domestic robots and flying cars in late 20th-century Britain.</p>
<p>I connected strongly with this sense of longing for a future denied. Having been raised on <strong><i>War Of The Worlds</i></strong> and<strong><i> Doctor Who</i></strong>, I clearly wasn’t alone in taking inspiration from SF even if, ridiculously worried about appearing naff and nerdy, this wasn’t something I would lightly have admitted back then.</p>
<p>I’d love to say this was a revelatory moment, that I immediately began researching and writing about the ways in which SF and music play off each other. In truth, I might never have had any further thoughts whatsoever about all of this, except that as the years went by I (rather accidentally and fortuitously) moved into writing about science fiction, primarily for <i>SFX</i> magazine.</p>
<p>At first glance, the worlds of music and SF couldn’t be more different, especially when it comes to their audiences. Music fans – and forgive the generalisations here – prefer a studied nonchalance. Within SF, people are far more open about their enthusiasms. Except, get past the surface details, the Tom Baker scarf vs cool band t-shirt subculture markers, and the behaviour of these branches of fandom really isn’t so different. Both communities are full of knowledgeable and funny people passionately engaged with their subjects – geeks.</p>
<p>It was in seeing these parallels within fandom, I think, that<strong> <i>Let’s All Go To The Science Fiction Disco </i></strong>started to fall into place. If I was fascinated by the worlds of both SF and music, surely other people were too?</p>
<p>Luckily, as the book came together, it seemed my hunch was right. The likes of Lavie Tidhar, Jon Courtenay Grimwood, Liz Williams, Martin Millar, NK Jemisin, David Quantick and Minister Faust all readily agreed to contribute. China Miéville, The Orb, Bill Nelson, Michael Moorcock and Mick Farren were kind enough to spare the time for interviews.</p>
<p>The result is an anthology where the subjects range from how JG Ballard overcame being “literally tone deaf” to invent post-punk (sort of…) to why Janelle Monáe is the antidote to the deeply spooky <i>Jetsons</i>, from MP3 markets in Mauritania to Bristol streets daubed with digital graffiti art, and much more besides.</p>
<p>As for the cover art, it’s by Stanley Donwood, famed for crafting Radiohead’s album sleeves. Ever the contrarian, he also contributes a story, an eerie reflection on a near future of silence, the end of music – forever. <i>Jonathan Wright</i></p>
<p><em>This is an edited version of the editor’s introduction to Adventure Rocketship! Let’s All Go To The Science Fiction Disco. There will be launch events for Adventure Rocketship! in <a href="http://forbiddenplanet.com/events/2013/05/18/launching-adventure-rocketship-bristol/" target="_blank">Forbidden Planet Bristol on Saturday 18 Ma</a>y. You can order the book direct from <a href="http://www.tangentbooks.co.uk/products/Pre%252dorder-Adventure-Rocketship!.html" target="_blank">Tangent Books</a> and read a sample essay, Minister Faust on George Clinton at <a href="http://io9.com/minister-faust-explains-the-meaning-of-george-clintons-487712241" target="_blank">IO9</a>.</em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/friday-reads-introducing-adventure-rocketship/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Exciting News From Gollancz</title>
		<link>http://www.gollancz.co.uk/2013/05/exciting-new-from-gollancz/</link>
		<comments>http://www.gollancz.co.uk/2013/05/exciting-new-from-gollancz/#comments</comments>
		<pubDate>Thu, 16 May 2013 15:58:08 +0000</pubDate>
		<dc:creator>Jen</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6366</guid>
		<description><![CDATA[<p>Gollancz is pleased to announce a significant structural reorganisation within the editorial team. Simon Spanton is promoted to Associate Publisher, with particular responsibility for innovative acquisitions and Gollancz&#8217;s social media and community engagement, as well as continuing to publish his award-winning list to its full potential.</p>
<p>Gillian Redfearn is promoted to Deputy Publishing Director focusing on strategy, critical path delivery and the publishing programme. She will be looking to take Gollancz &#8211; already the number one for Science Fiction and Fantasy in ... <a href="http://www.gollancz.co.uk/2013/05/exciting-new-from-gollancz/">More</a>]]></description>
				<content:encoded><![CDATA[<p>Gollancz is pleased to announce a significant structural reorganisation within the editorial team. Simon Spanton is promoted to <b>Associate Publisher</b>, with particular responsibility for innovative acquisitions and Gollancz&#8217;s social media and community engagement, as well as continuing to publish his award-winning list to its full potential.</p>
<p>Gillian Redfearn is promoted to <b>Deputy Publishing Director</b> focusing on strategy, critical path delivery and the publishing programme. She will be looking to take Gollancz &#8211; already the number one for Science Fiction and Fantasy in the UK &#8211; to the next level, while continuing to work as a full time commissioning editor. Both Simon and Gillian continue to report to the Gollancz Publishing Director, Jon Wood.</p>
<p>Charlie Panayiotou is promoted to <b>Editorial Manager</b>.</p>
<p>Jon Wood, Gollancz Publishing Director and Deputy Publisher, Orion Group, said “We believe these changes will better equip the already-thriving Gollancz list for the major challenges of the future. By looking at all the individual roles in the team, we hope to keep on delivering the most professional, most innovative and most successful SF/Fantasy list in UK publishing”.</p>
<p>Gillian Redfearn said: “Gollancz has the privilege of working with exceptionally talented authors, and a wonderful in-house team. Following this reorganisation process we’re all freshly focused on making Gollancz the very best publisher we can be, now and in the future. I’m very, very pleased to be a part of that.&#8221;</p>
<p>Simon Spanton said “I can’t think of a better, more supported and valued genre list than Gollancz. I’m looking forward to concentrating on a new role within that success and supporting Gillian as the entire team prepare for the exciting challenges ahead&#8221;.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/exciting-new-from-gollancz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Perils of Prequels (A Guest Post by Maggie Furey)</title>
		<link>http://www.gollancz.co.uk/2013/05/the-perils-of-prequels-a-guest-post-by-maggie-furey/</link>
		<comments>http://www.gollancz.co.uk/2013/05/the-perils-of-prequels-a-guest-post-by-maggie-furey/#comments</comments>
		<pubDate>Thu, 16 May 2013 13:35:42 +0000</pubDate>
		<dc:creator>Marcus</dc:creator>
				<category><![CDATA[Author Post]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Artefacts of Power]]></category>
		<category><![CDATA[Chronicles of Xandim]]></category>
		<category><![CDATA[Exodus of the Xandim]]></category>
		<category><![CDATA[Maggie Furey]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6363</guid>
		<description><![CDATA[<p><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/9780575076631-1.jpg"></a>Gollancz is thrilled to be publishing <a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575076631" target="_blank">Exodus of the Xandim</a>, the conclusion to Maggie Furey’s prequel to her bestselling ARTEFACTS OF POWER series. Here, Maggie talks about the perils of prequels…</p>
<p>&#160;</p>
<p align="center">THE PERILS OF PREQUELS</p>
<p align="center">PART 1 – THE CHARACTERS</p>
<p align="center">
<p>Prequels are not for the faint-hearted.  Indeed, they’re a mass of pitfalls and snares for the writer who has been lucky enough to write a beloved story with a devoted fanbase, all on the alert for any ... <a href="http://www.gollancz.co.uk/2013/05/the-perils-of-prequels-a-guest-post-by-maggie-furey/">More</a>]]></description>
				<content:encoded><![CDATA[<p><em><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/9780575076631-1.jpg"><img class="alignleft size-medium wp-image-6364" alt="9780575076631 (1)" src="http://www.gollancz.co.uk/wp-content/uploads/2013/05/9780575076631-1-197x300.jpg" width="197" height="300" /></a>Gollancz is thrilled to be publishing <a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575076631" target="_blank"><strong>Exodus of the Xandim</strong></a>, the conclusion to Maggie Furey’s prequel to her bestselling <strong>ARTEFACTS OF POWER</strong> series. Here, Maggie talks about the perils of prequels…</em></p>
<p>&nbsp;</p>
<p align="center"><span style="text-decoration: underline;"><strong>THE PERILS OF PREQUELS</strong></span></p>
<p align="center"><span style="text-decoration: underline;"><strong>PART 1 – THE CHARACTERS</strong></span></p>
<p align="center">
<p>Prequels are not for the faint-hearted.  Indeed, they’re a mass of pitfalls and snares for the writer who has been lucky enough to write a beloved story with a devoted fanbase, all on the alert for any mistakes or discrepancies that may slip in.  So why did I write the prequels to the <em><strong>ARTEFACTS OF POWER</strong></em> series?</p>
<p>Well, it had to happen.  My plan, after finishing the <em>Shadowleague</em> series, had been to write the <em>Aurian</em> sequels – yet I found myself stymied.  How could Aurian defeat the Phaerie who’d conquered her city, and send them back into exile? Why had they been banished from the world in the first place, and who had done it?  Why was their fate linked with the Sword of Flame, a product of the Mage Wars?  Where did the Xandim fit into the picture?  The history of Aurian’s world, as told in the first series, was already so complex that I needed to know the whole story, so instead of leaping into the future of the Magefolk, I wound up delving into the past, the most turbulent era of their history: the Cataclysm caused by an entity so formidable that he could reshape the face of the world, the creation of the Artefacts of Power, and the war that almost destroyed all Magekind.</p>
<p>I knew I was treading on dangerous ground.  Having created a world with a history that so many readers had made their own I wasn’t going to be able to mess about with events that had already been established.  I had responsibilities to the readers who had grown up knowing and loving Aurian and her companions.  It was very important to get this right for them.  My chief challenges were daunting:  Firstly, there was Continuity (how to mesh the new story with the original history.)  It was no good trying to cheat, and strike off in an entirely different direction.  The readers would feel cheated (and I wouldn’t blame them,) and it would ruin the credibility of both series for them.</p>
<p>Secondly, there were the Characters (how to mesh the major characters who’d been mentioned in <em><strong>ARTEFACTS</strong></em>, whose fates were already decided, with a new cast of players, whose actions might send the plot off in unexpected directions.)  This also links back to Continuity – sometimes it’s hard to prevent characters turning into their own Spoilers.  For example, when the story opens, the Archwizard is Cyran, Avithan’s father.  Yet the knowledgeable reader is well aware that, as the history is described in the original series, Avithan is Archwizard.  So what happens to Cyran?  At this point my friends the knowledgeable readers are already saying “Uh-oh – looks as if this guy is wearing a red shirt!”  Are they right?  Or will they be surprised?</p>
<p>The third challenge was Balance (I had to write <em><strong>CHRONICLES OF THE XANDIM</strong></em> to stand alone from <em><strong>ARTEFACTS OF POWER</strong></em>, because a whole new generation of readers had sprung up who might not have read the earlier series – yet there had to be enough connections to the future world; the occasional nod in the direction of future events that would almost be like little secrets or ‘in jokes’ that were shared between myself and the original fans.</p>
<p>Last, and most difficult of all, was Predestination.  Readers of a prequel who are familiar with the first series already know that certain things are going to happen (this links back to characters being their own Spoilers.)  I had to find ways to make events as interesting and unanticipated as possible, and involve the reader so deeply in the story that certain things would come as a surprise – despite the fact that they were destined to happen all along.  Chiannala was a good example.  I had lots of fun writing someone so unrepentantly bad!</p>
<p>Where to start, then?  My method of writing is character-led, so I needed someone who would serve as a hook to hang the story on; a character who would provide a link between all the different elements and tie the narrative together.  Could it be Avithan, the Archwizard of that period?  Or maybe one of the Wizards who would come to be revered as Gods: Iriana of the Beasts, Thara of the Fields, Melisanda of the Healing Hands, Yinze of the Skies, Chathak Lord of Fire, or Ionor the Wise?  Or what of the villains? Hellorin, the dangerous, capricious Lord of the Phaerie? The winged Mage Incondor or his consort Chiannala, a halfbreed mix of Wizard and human?</p>
<p>There were so many options, yet somehow, none seemed quite right – until I went to an amazing equestrian show called Spirit of the Horse, and found the answer staring me in the face.  The Xandim.  Shapeshifters, part equine, part human, who had been enslaved by the Phaerie to be their mounts.  My heroine would be Corisand, newly awakened Windeye, or Shaman, of the Xandim, who, in order to liberate her race, must find a way to overcome Hellorin’s spell that imprisons the Xandim in equine shape – her dilemma being that while she is trapped in horse form, she cannot access the Windeye’s magic to make herself human.  Telling the story from her point of view had a huge advantage, in that neither Corisand herself or any of the early history of the Xandim were detailed in <em><strong>ARTEFACTS</strong></em>, which gave me carte blanche to write her in whatever way I wished.</p>
<p>Clearly Corisand was going to need some outside help – and who better than Iriana of the Beasts?  This was, after all, to be a history of the Magefolk.  I made Iriana blind because, having lived my own life coping with disabilities, albeit fairly minor ones, I wanted to show that it’s possible use one’s abilities to compensate for physical restrictions.  Iriana’s special talent was to form close mental bonds with animals, who permitted her ‘see’ through their eyes.  This also gave me a chance to fit in another new character – Melik, Iriana’s cat, who is her closest animal companion and the main source of her vision.  Melik was based on my own Ragdoll cat, Merlin.  If anyone wants to know what he looks like, his picture is on my <a href="http://www.facebook.com/MaggieFureywriter" target="_blank">Facebook page</a>.</p>
<p>With my two main female characters established I decided that there should be a third, since three is such a significant number in myth and legend.  For balance, I wanted someone to represent the Phaerie viewpoint – though, in keeping with the character of her race she would be calculating, capricious, and very much an enigma.  Enter Tiolani, daughter of the Forest Lord Hellorin.  Would she become a hero or a villain; would she help or hinder Corisand?  Even I didn’t know the answers when I began the story – but it was going to be fun finding out.</p>
<p>With Tiolani, I ran into one of the aforementioned Prequel Pitfalls.  The Phaerie, unless killed by violence, lead immeasurably long lives – yet there was no sign of Tiolani in the <em>ARTEFACT OF POWER</em>.  Clearly she had met with some other fate in the thousand years between the two series.  So: should her death be part of this tale?  Or would she survive to meet with some future disaster?  And wouldn’t the latter option leave the readers with a big, unanswered question bugging them: what <i>did</i> happen to her?</p>
<p>The fate of certain other characters have also given me some sleepless nights, even though they didn’t come into the original history as told in <em><strong>ARTEFACTS</strong></em>.  For example, we are told that only six Wizards, the ones who are eventually deified, survive the Mage Wars, yet now my book is peopled with a number of have characters that I, and many readers, have fallen in love with.  Can I really kill them all off?  It would lead to a heartbreaking conclusion to the story that isn’t my usual style.  Will I be able to find them some feasible loopholes and let them live after all?  Or would that idea, tempting as it is, be too much like cheating?  Would it ruin the story, or redeem it?</p>
<p>With the major players established, the other characters gradually fell into place, leaving only one thing missing.  I needed a someone who would be a bridge between the two series; an all-seeing link between past and future.  I chose The Cailleach, the Lady of the Timeless Lake, from whom Anvar had won the Harp of winds in the <em><strong>ARTEFACTS OF POWER</strong> </em>series.  In the beginning of the new series she foresees the disasters to come, and moves into the ordinary world to swell in a location that will be very familiar to readers of<em><strong> AURIAN</strong></em>.  Of course, her efforts to avert the Cataclysm and Mage Wars are doomed to failure, and indeed, her interference sometimes inadvertently brings about the very things that she was trying to avoid.  Yet at other times her assistance proves to be invaluable, and though I was forced to place limitations on her powers, lest she turn into a kind of Dea Ex Machina that would allow me to get away with taking the easy way out of any problem, (which would make for a very boring book) there were times when I was very grateful for her assistance.</p>
<p>Exploring the lives of my characters was fun, if occasionally a little fraught, but one of the most exciting parts of writing my prequel series was setting the story in a very different world from that of <em><strong>ARTEFACTS OF POWER</strong></em>.  As this blog is turning out to be longer than expected, I’m going to talk about the world, the alternative reality of the Elsewhere, and the races that inhabit them in part two – which will be coming soon!</p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/the-perils-of-prequels-a-guest-post-by-maggie-furey/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Star Trek into Darkness – talking points (no spoilers)</title>
		<link>http://www.gollancz.co.uk/2013/05/star-trek-into-darkness-talking-points-no-spoilers/</link>
		<comments>http://www.gollancz.co.uk/2013/05/star-trek-into-darkness-talking-points-no-spoilers/#comments</comments>
		<pubDate>Wed, 15 May 2013 15:51:26 +0000</pubDate>
		<dc:creator>Charlie</dc:creator>
				<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[sci fi]]></category>
		<category><![CDATA[Star Trek]]></category>
		<category><![CDATA[Star Trek Into Darkness]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6354</guid>
		<description><![CDATA[<p>Last week saw the release of Star Trek &#8216;we couldn&#8217;t come up with a decent title for this film&#8217;. I went to see it on the weekend and here’s some brief thoughts (with no spoilers for those who haven’t seen it yet).</p>
<p>- I thought it was very good. Not Avengers-good, but still highly enjoyable.</p>
<p>- Two good Star Trek films in a row. Surely a first?</p>
<p>- The interplay between the characters, especially Kirk, Spock and McCoy, is great, probably the best ... <a href="http://www.gollancz.co.uk/2013/05/star-trek-into-darkness-talking-points-no-spoilers/">More</a>]]></description>
				<content:encoded><![CDATA[<p>Last week saw the release of Star Trek &#8216;we couldn&#8217;t come up with a decent title for this film&#8217;. I went to see it on the weekend and here’s some brief thoughts (with no spoilers for those who haven’t seen it yet).</p>
<p>- I thought it was very good. Not Avengers-good, but still highly enjoyable.</p>
<p>- Two good Star Trek films in a row. Surely a first?</p>
<p>- The interplay between the characters, especially Kirk, Spock and McCoy, is great, probably the best thing about it. I’m not sure why so many people dislike the portrayal of Kirk as a snotty git. I thought the whole point about a young Captain Kirk was that he was a snotty git.</p>
<p>- Things move quickly, perhaps too quickly at times. The pace is so breakneck that sometimes there&#8217;s no room for things to breathe. For the most part though I was happy to be carried along for the ride.</p>
<p>- Unsurprisingly Benedict Cumberbatch is excellent, I can&#8217;t wait to hear him as Smaug.</p>
<p>- I don&#8217;t think I&#8217;ll ever 100% get used to seeing Simon Pegg in a film like this . . .</p>
<p>- . . . though it&#8217;s not as strange as Noel Clarke&#8217;s brief appearance, what the hell? Between this and John Barrowman in Zero Dark Thirty I half expect Arthur Darville to pop up briefly in Man of Steel or something.</p>
<p>- I liked the redshirt jokes.</p>
<p>- Alice Eve *swoons* Sorry, where was I . . .</p>
<p>Some have lamented (and will continue to lament) that this latest iteration of the franchise isn’t ‘proper Star Trek’. Certainly the action quotient has gone up with the last two films and they’re hardly in the league of 2001 in terms of thought-provoking science fiction. But at the same time they’re a long way from being brainless affairs. And frankly they’re miles better than Voyager, Enterprise or over half the films to date. The franchise was lying face down in a puddle before this reboot, and I think the last two films deserve credit for doing a Casino Royale/Batman Begins and successfully resurrecting a moribund series.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/star-trek-into-darkness-talking-points-no-spoilers/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The John W. Campbell Award Nominations</title>
		<link>http://www.gollancz.co.uk/2013/05/the-john-w-campbell-award-nominations/</link>
		<comments>http://www.gollancz.co.uk/2013/05/the-john-w-campbell-award-nominations/#comments</comments>
		<pubDate>Tue, 14 May 2013 16:34:12 +0000</pubDate>
		<dc:creator>Simon</dc:creator>
				<category><![CDATA[Adam Roberts]]></category>
		<category><![CDATA[Alastair Reynolds]]></category>
		<category><![CDATA[M. John Harrison]]></category>
		<category><![CDATA[Blue Remember Hills]]></category>
		<category><![CDATA[Empty Space]]></category>
		<category><![CDATA[Jack Glass]]></category>
		<category><![CDATA[John W. Campbell Award]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[The Fractal Prince]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6331</guid>
		<description><![CDATA[And the Gollancz nominations for the John W. Campbell Award are...]]></description>
				<content:encoded><![CDATA[<p>We’re delighted to announce that we have four books amongst the 13 finalists for the <a title="John W. Campbell Award" href="http://www.sfcenter.ku.edu/campbell.htm" target="_blank">John W. Campbell Award</a>. So huge congratulations to:</p>
<p><a href="http://www.orionbooks.co.uk/Authors/M+John+Harrison.page" target="_blank">M. John Harrison</a> for <em><a title="Empty Space" href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575096325" target="_blank">Empty Space</a></em></p>
<p><a href="http://www.orionbooks.co.uk/Search.page?SearchText=Hannu+Rajaniemi" target="_blank">Hannu Rajaniemi</a> for <em><a title="The Fratal Prince " href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575088931" target="_blank">The Fractal Prince</a></em></p>
<p><a href="http://www.orionbooks.co.uk/Authors/Alastair+Reynolds.page" target="_blank">Alastair Reynolds</a> for <a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575088306" target="_blank"><em>Blue Remembered Earth</em></a></p>
<p><a href="http://www.orionbooks.co.uk/Authors/Adam+Roberts.page" target="_blank">Adam Roberts</a> for <em><a title="Jack Glass" href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575127647" target="_blank">Jack Glass</a></em></p>
<p>Whether it&#8217;s the powerful yet ambiguous visions of <em>Empty Space</em>, the poetic far-science of <em>The Fractal Prince</em>, the grand and optimistic sweep of <em>Blue Remembered Earth </em>or the playful inversions of the Golden Age in <em>Jack Glass</em> we couldn’t be happier with a selection that I think shows an awful lot of what SF is capable of when it is at its best.</p>
<p>We’re so proud that four of our authors have been honoured in this way; recognition of this sort from across the Atlantic is a tribute both to their individual excellence and to the global reach of British (and Finnish!) SF.</p>
<p>It only remains to wish all thirteen finalists the very best of luck. The award will be announced on Friday the 14th of June. Watch this space!</p>
<p>The full list can be seen <a href="http://www.sfcenter.ku.edu/news.htm" target="_blank">here.</a></p>
<p>The John W. Campbell Memorial Award for the best science-fiction novel of the year is one of the four major annual awards for science fiction (Hugo, Nebula, Clarke and Campbell). The first Campbell Award was presented at the Illinois Institute of Technology in 1973. Since then the Award has been presented in various parts of the world: at California State University at Fullerton; at St. John&#8217;s College, Oxford; at the World SF Writers Conference in Dublin; in Stockholm; at the World SF meeting in Dublin again; the University of Kansas; and in a joint event with the SFRA Convention in Kansas City in 2007.</p>
<p>Since 1979, the Campbell Award has been presented during the Campbell Conference Awards Banquet at the University of Kansas in Lawrence, Kansas, as the focal point of a weekend of discussions about the writing, illustration, publishing, teaching, and criticism of science fiction.</p>
<p>This is a juried award. The current jury consists of Greg Benford, Paul Di Filippo, Sheila Finch, James Gunn, Elizabeth Anne Hull, Paul Kincaid, Christopher McKitterick, Pamela Sargent and T.A. Shippey.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/the-john-w-campbell-award-nominations/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Happy Birthday, Stephen Donaldson</title>
		<link>http://www.gollancz.co.uk/2013/05/happy-birthday-stephen-donaldson/</link>
		<comments>http://www.gollancz.co.uk/2013/05/happy-birthday-stephen-donaldson/#comments</comments>
		<pubDate>Mon, 13 May 2013 14:11:20 +0000</pubDate>
		<dc:creator>Darren</dc:creator>
				<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Happy Birthday]]></category>
		<category><![CDATA[SF Gateway]]></category>
		<category><![CDATA[Stephen Donaldson]]></category>
		<category><![CDATA[The Last Chronicles of Thomas Covenant]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6321</guid>
		<description><![CDATA[<p style="text-align: justify;">Thanks to the all-seeing eye of <a href="http://www.sf-encyclopedia.com" target="_blank">The Encyclopedia of Science Fiction</a>, and its indispensable <a href="http://sf-encyclopedia.co.uk/today.php" target="_blank">On This Day</a> function, we see that today is <a href="http://www.sfgateway.com/authors/d/donaldson-stephen/" target="_blank">Stephen R. Donaldson</a>&#8216;s birthday.</p>
<p style="text-align: justify;"><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/Against-All-Things-Ending.jpg"></a></p>
<p>As I&#8217;m sure we all know, Stephen Donaldson burst onto the scene in 1977 with his extraordinary debut trilogy, The Chronicles of Thomas Covenant the Unbeliever. It was an astonishingly assured and &#8211; let&#8217;s not deny it &#8211; bleak trilogy, that seemed intent ... <a href="http://www.gollancz.co.uk/2013/05/happy-birthday-stephen-donaldson/">More</a>]]></description>
				<content:encoded><![CDATA[<p style="text-align: justify;">Thanks to the all-seeing eye of <a href="http://www.sf-encyclopedia.com" target="_blank"><em>The Encyclopedia of Science Fiction</em></a>, and its indispensable <a href="http://sf-encyclopedia.co.uk/today.php" target="_blank">On This Day</a> function, we see that today is <a href="http://www.sfgateway.com/authors/d/donaldson-stephen/" target="_blank">Stephen R. Donaldson</a>&#8216;s birthday.</p>
<p style="text-align: justify;"><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/Against-All-Things-Ending.jpg"><img class="alignleft  wp-image-6324" style="margin: 10px;" alt="Against All Things Ending" src="http://www.gollancz.co.uk/wp-content/uploads/2013/05/Against-All-Things-Ending-179x300.jpg" width="143" height="240" /></a></p>
<p><span style="color: #008000;">As I&#8217;m sure we all know, Stephen Donaldson burst onto the scene in 1977 with his extraordinary debut trilogy, <strong>The Chronicles of Thomas Covenant the Unbeliever</strong>. It was an astonishingly assured and &#8211; let&#8217;s not deny it &#8211; bleak trilogy, that seemed intent on casting as much as possible of the prevailing &#8216;rules&#8217; of high fantasy through a glass darkly. Followed by <strong>The Second Chronicles of Thomas Covenant the Unbeliever</strong> trilogy and the <strong>Mordant&#8217;s Need</strong> diptych, these works established a mature and important voice in the rapidly-developing fantasy landscape of the &#8217;70s &amp; &#8217;80s. Donaldson then moved on to the Science Fictional <strong>Gap</strong> series in the &#8217;90s before returning to The Land in the twenty-first century with <strong>The Last Chronicles of Thomas Covenant</strong>.</span></p>
<p style="text-align: justify;"><a href="http://www.sfgateway.com/authors/d/donaldson-stephen/" target="_blank">Stephen R. Donaldson</a>&#8216;s most recent book is <em>Against All Things Ending</em>, the third volume of the <strong>The Last Chronicles of Thomas Covenant</strong>, available in <a title="Against All Things Ending paperback" href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575083431" target="_blank">paperback</a> and as an <a title="Against All Things Ending eBook" href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575089082" target="_blank">eBook</a>.</p>
<p style="text-align: justify;">You can find <a href="http://www.sfgateway.com/authors/d/donaldson-stephen/" target="_blank">Stephen R. Donaldson</a>&#8216;s books on his author pages at <a href="http://www.sfgateway.com/authors/d/donaldson-stephen/" target="_blank">the SF Gateway</a> and the Orion website, and read more about him at <a href="http://www.sf-encyclopedia.com/entry/donaldson_stephen_r" target="_blank">his entry in <em>The Encyclopedia of Science Fiction</em></a>.</p>
<p style="text-align: justify;">He is one of the most important writers in modern fantasy and we salute him on the occasion of his birthday!</p>
<p>&nbsp;</p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/happy-birthday-stephen-donaldson/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Friday Reads: Dead Ever After</title>
		<link>http://www.gollancz.co.uk/2013/05/friday-reads-dead-ever-after/</link>
		<comments>http://www.gollancz.co.uk/2013/05/friday-reads-dead-ever-after/#comments</comments>
		<pubDate>Fri, 10 May 2013 15:45:52 +0000</pubDate>
		<dc:creator>Jen</dc:creator>
				<category><![CDATA[Charlaine Harris]]></category>
		<category><![CDATA[Friday Reads]]></category>
		<category><![CDATA[Bill Compton]]></category>
		<category><![CDATA[Bon Temps]]></category>
		<category><![CDATA[Dead Ever After]]></category>
		<category><![CDATA[Eric]]></category>
		<category><![CDATA[final Sookie Stackhouse]]></category>
		<category><![CDATA[Friday Read]]></category>
		<category><![CDATA[Sookie Stackhouse]]></category>
		<category><![CDATA[True Blood]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6315</guid>
		<description><![CDATA[This week's Friday Read is Dead Ever After, the final novel in Charlie Harris' Sookie Stackhouse series, which came out this week. Through their tears at saying goodbye to Sookie, Gillian and Jen have managed to give you a Friday Read...]]></description>
				<content:encoded><![CDATA[<p><img class="alignleft size-thumbnail wp-image-6316" alt="dead ever after" src="http://www.gollancz.co.uk/wp-content/uploads/2013/05/dead-ever-after-86x130.jpg" width="86" height="130" /></p>
<p><em>This week&#8217;s Friday Read is <a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575096615" target="_blank">Dead Ever After</a>, the final novel in Charlie Harris&#8217; Sookie Stackhouse series, which came out this week. Through their tears at saying goodbye to Sookie, Gillian and Jen have managed to give you a Friday Read&#8230;</em></p>
<p><strong>Jen</strong></p>
<p><strong></strong>My Friday Reads this week is Dead Ever After. If you read our blog (or follow my tweets) this is no real surprise. I’ve been waiting to read this book since . . . well, <i>forever</i>.</p>
<p>I’m happy to say that so far that <i>Dead Ever After</i> doesn&#8217;t disappoint. Every time I read a Sookie Stackhouse novel, it’s like catching up with old friends. I’ve been reading this book half afraid of getting to the ending. It’s hard to savour a book that I want to sit down and devour, but I’m trying. Because, this is Sookie’s final adventure, the last trip to Bon Temps and the gang is all here. So many characters from across the series have come back into Sookie’s life in this final book that I’m finding myself smiling and tearing up a bit as I turn the pages.</p>
<p>I don’t know how this is going to end. Frankly, I’m scared to get to the end. I might be in the minority, but I really don’t care who Sookie winds up with either. I’ve always been Team Eric, but over the past few books I’ve found I don’t care as much about the romance. I know, I know, I’m in the minority. I love the rich characters in this world. I love the mysteries. I love Sookie’s wit and wisdom. These have always been Sookie’s story and I don’t mind if she winds up with Eric, Bill or alone as long as at the end she stays true to who she is. To me, that’s the adventure I’ve been following.</p>
<p><strong>Gillian</strong></p>
<p>Today our Friday Read is a celebratory one for <i>Dead Ever After</i>! It’s a strange moment to come to the end of such a successful, massively influential series. Charlaine Harris has become a household name, recognisable for her distinctive blend of vampires, Southern American setting, and supernatural creatures with compelling mysteries.</p>
<p>I read <i>Dead Ever After</i> about six months ago . . . and when we had finished copies of the book in the office, I sat down and read it again. And there are so many things in this novel which take my breath away. I love catching up with Sookie, it’s like having a long chat and catch up with a really good friend. It made me happy to come to the end of her story – however reluctantly as a reader – and feel that she reached the right moment for us to part ways. Weirdly (and without spoilers!) I’m happy that Sookie is going to be ok from now on. Maybe not a happily ever after but, for me, not far off.</p>
<p>But the thing that really struck me, rereading, is how much I like the messages that run through this book and through the entire series. Sookie’s is powerful, smart and capable of making her own decision. She’s also capable of accepting responsibility for her own mistakes. I love the fact that she has no tolerance for discrimination, for bullying or for rudeness. From the very beginning of this series through to the very end, she stands up for herself and for others. And when I put this novel down, a little heavy of heart, a little sad not to have another adventure to look forward to, it underlined something for me. I like and admire Sookie Stackhouse. I’ve loved being able to share her story. I love her voice and her warmth – and I look forward to the next story that this remarkable writer chooses to share with us.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/friday-reads-dead-ever-after/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Read this book with the lights on: NOS4R2</title>
		<link>http://www.gollancz.co.uk/2013/05/read-this-book-with-the-lights-on-nos4r2/</link>
		<comments>http://www.gollancz.co.uk/2013/05/read-this-book-with-the-lights-on-nos4r2/#comments</comments>
		<pubDate>Thu, 09 May 2013 15:31:00 +0000</pubDate>
		<dc:creator>Jen</dc:creator>
				<category><![CDATA[Books of the month]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Book of the month]]></category>
		<category><![CDATA[Charlie Manx]]></category>
		<category><![CDATA[Joe Hill]]></category>
		<category><![CDATA[NOS4R2]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6312</guid>
		<description><![CDATA[<a href="http://www.gollancz.co.uk/wp-content/uploads/2013/03/9780575130678-1.jpg"><img class="alignleft size-medium wp-image-5858" alt="9780575130678 (1)" src="http://www.gollancz.co.uk/wp-content/uploads/2013/03/9780575130678-1-196x300.jpg" width="196" height="300" /></a>Our May book of the month is <a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575130678" target="_blank"><em><strong>NOS4R2</strong></em></a>. This book is terrifying. Don’t believe us. . . let Gillian Redfearn tell you a little more about it.

<em>Some books are too scary to read even with the lights on. Some are too scary to read even when you’re surrounded by people in the middle of the day. </em>

<em>This book gave me nightmares.</em>

<em>This book still makes me shiver when I see a Rolls Royce.</em>

<em>This book will under your skin, into your mind, and once it’s there it will never leave.</em>

<em>Don’t say I didn’t warn you.</em>

<em>And whatever you do, don’t get in the car . . .</em>

We did warn you. It’s a very good thing that the days are getting longer, because you’ll need all the daylight you can get to read this book. Next week we’ll be bringing you a very special extract read by Joe Hill himself.

See you then!]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/03/9780575130678-1.jpg"><img class="alignleft size-medium wp-image-5858" alt="9780575130678 (1)" src="http://www.gollancz.co.uk/wp-content/uploads/2013/03/9780575130678-1-196x300.jpg" width="196" height="300" /></a>Our May book of the month is <a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575130678" target="_blank"><em><strong>NOS4R2</strong></em></a>. This book is terrifying. Don’t believe us. . . let Gillian Redfearn tell you a little more about it.</p>
<p><em>Some books are too scary to read even with the lights on. Some are too scary to read even when you’re surrounded by people in the middle of the day. </em></p>
<p><em>This book gave me nightmares.</em></p>
<p><em>This book still makes me shiver when I see a Rolls Royce.</em></p>
<p><em>This book will under your skin, into your mind, and once it’s there it will never leave.</em></p>
<p><em>Don’t say I didn’t warn you.</em></p>
<p><em>And whatever you do, don’t get in the car . . .</em></p>
<p>We did warn you. It’s a very good thing that the days are getting longer, because you’ll need all the daylight you can get to read this book. Next week we’ll be bringing you a very special extract read by Joe Hill himself.</p>
<p>See you then!</p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/read-this-book-with-the-lights-on-nos4r2/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Cover Reveal: Path of Anger</title>
		<link>http://www.gollancz.co.uk/2013/05/cover-reveal-path-of-anger/</link>
		<comments>http://www.gollancz.co.uk/2013/05/cover-reveal-path-of-anger/#comments</comments>
		<pubDate>Thu, 09 May 2013 12:15:11 +0000</pubDate>
		<dc:creator>Jen</dc:creator>
				<category><![CDATA[Cover Reveal]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Antoine Rouaud]]></category>
		<category><![CDATA[Debut]]></category>
		<category><![CDATA[The Path of Anger]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6308</guid>
		<description><![CDATA[Gollancz is thrilled to be able to reveal the cover for one of the most exciting debuts of 2013!

<a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/Path_of_anger.gif"><img class="aligncenter size-full wp-image-6309" alt="Path_of_anger" src="http://www.gollancz.co.uk/wp-content/uploads/2013/05/Path_of_anger.gif" width="280" height="424" /></a>

We love this artwork from the exceptional <a href="http://www.rostant.com/">Larry Rostant</a>, and this cover was put together for us by the talented Nick May!

<a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575130814" target="_blank"><em><strong>The Path of Anger</strong></em></a> is one of the most hotly anticipated fantasy debuts this year – not only for us, either! This book is going to be a real international event, with simultaneous publication planned with Bragelonne in <a href="http://www.bragelonne.fr/" target="_blank">France</a> , Heyne in <a href="http://www.randomhouse.de/heyne/index.jsp" target="_blank">Germany</a>, Planeta in <a href="http://www.planetadelibros.com/" target="_blank">Spain</a> and Mynx in <a href="http://www.boekerij.nl/nl/p4c722d5bb14a2/het-grootste-aanbod-in-sciencefiction-en-fantasyboeken-vindt-u-hier.html" target="_blank">Holland</a>. It’s going to be <i>amazing</i>. But don’t just take our word for it (or our gif!) here’s a little teaser for the book is actually about:

<em> An Empire has been overthrown. An Emperor has been murdered. A Republic has risen from the ashes . . . but the old grudges still remain. </em>

<em> Now an assassin has begun to strike, systematically, from the shadows. </em>

<em> There will be blood. </em>
<em> There will be death. </em>
<em> This is the path of anger . . . </em>

We can’t wait to share this novel with you. We know that November is a long way off, but we’ll be sharing more extracts, teasers and competitions to win early copies as we countdown!

Let us know what you think of the cover in the comments.]]></description>
				<content:encoded><![CDATA[<p>Gollancz is thrilled to be able to reveal the cover for one of the most exciting debuts of 2013!</p>
<p><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/Path_of_anger.gif"><img class="aligncenter size-full wp-image-6309" alt="Path_of_anger" src="http://www.gollancz.co.uk/wp-content/uploads/2013/05/Path_of_anger.gif" width="280" height="424" /></a></p>
<p>We love this artwork from the exceptional <a href="http://www.rostant.com/">Larry Rostant</a>, and this cover was put together for us by the talented Nick May!</p>
<p><a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575130814" target="_blank"><em><strong>The Path of Anger</strong></em></a> is one of the most hotly anticipated fantasy debuts this year – not only for us, either! This book is going to be a real international event, with simultaneous publication planned with Bragelonne in <a href="http://www.bragelonne.fr/" target="_blank">France</a> , Heyne in <a href="http://www.randomhouse.de/heyne/index.jsp" target="_blank">Germany</a>, Planeta in <a href="http://www.planetadelibros.com/" target="_blank">Spain</a> and Mynx in <a href="http://www.boekerij.nl/nl/p4c722d5bb14a2/het-grootste-aanbod-in-sciencefiction-en-fantasyboeken-vindt-u-hier.html" target="_blank">Holland</a>. It’s going to be <i>amazing</i>. But don’t just take our word for it (or our gif!) here’s a little teaser for the book is actually about:</p>
<p><em> An Empire has been overthrown. An Emperor has been murdered. A Republic has risen from the ashes . . . but the old grudges still remain. </em></p>
<p><em> Now an assassin has begun to strike, systematically, from the shadows. </em></p>
<p><em> There will be blood. </em><br />
<em> There will be death. </em><br />
<em> This is the path of anger . . . </em></p>
<p>We can’t wait to share this novel with you. We know that November is a long way off, but we’ll be sharing more extracts, teasers and competitions to win early copies as we countdown!</p>
<p>Let us know what you think of the cover in the comments.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/cover-reveal-path-of-anger/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Farewell Sookie: DEAD EVER AFTER IS HERE!</title>
		<link>http://www.gollancz.co.uk/2013/05/farewell-sookie-dead-ever-after-is-here/</link>
		<comments>http://www.gollancz.co.uk/2013/05/farewell-sookie-dead-ever-after-is-here/#comments</comments>
		<pubDate>Tue, 07 May 2013 15:25:16 +0000</pubDate>
		<dc:creator>Jen</dc:creator>
				<category><![CDATA[Charlaine Harris]]></category>
		<category><![CDATA[Dark Fantasy]]></category>
		<category><![CDATA[Extract]]></category>
		<category><![CDATA[Dead Ever After]]></category>
		<category><![CDATA[Farewell Sookie]]></category>
		<category><![CDATA[Prologue]]></category>
		<category><![CDATA[Sookie Stackhouse]]></category>
		<category><![CDATA[Southern Vampire Mysteries]]></category>
		<category><![CDATA[True Blood]]></category>

		<guid isPermaLink="false">http://www.gollancz.co.uk/?p=6302</guid>
		<description><![CDATA[<p><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/image.jpeg"></a>When the weather is this stunning it always makes me think of summer and for me, summer belongs to the Southern Vampire.</p>
<p>Over four years ago, I joined Team Gollancz. My first big project was this vampire series. Some book about a bar maid who could read thoughts and dated a reclusive vampire. I devoured the entire series over the course of a few weeks that summer. I was hooked. Much like the legions of fans of the Southern Vampire ... <a href="http://www.gollancz.co.uk/2013/05/farewell-sookie-dead-ever-after-is-here/">More</a>]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.gollancz.co.uk/wp-content/uploads/2013/05/image.jpeg"><img class="alignleft size-medium wp-image-6306" alt="image" src="http://www.gollancz.co.uk/wp-content/uploads/2013/05/image-e1367940168130-225x300.jpeg" width="225" height="300" /></a>When the weather is this stunning it always makes me think of summer and for me, summer belongs to the Southern Vampire.</p>
<p>Over four years ago, I joined Team Gollancz. My first big project was this vampire series. Some book about a bar maid who could read thoughts and dated a reclusive vampire. I devoured the entire series over the course of a few weeks that summer. I was hooked. Much like the legions of fans of the <strong><em>Southern Vampire Mysteries</em></strong>.</p>
<p>Today is the end of an era for me.</p>
<p>Over the past 12 books we&#8217;ve seen Sookie grow and change from a bit of a social outcast to the heart of a community. From a cocktail waitress to the part owner of Merlotte&#8217;s. There&#8217;s been heartbreak, romance and joy.</p>
<p>I can’t believe this is the final Sookie Stackhouse adventure. It’s been one incredible literary journey and I’m happy that the last book is published on such a beautiful sunny day here in London. Nothing says summer (to me at least) like a brand new Sookie Stackhouse adventure.</p>
<p>Saying goodbye is never easy. For those of you who can’t wait to find out what happens next we’ve got the prologue to share with you here on the blog. We promise you’ll see some old faces, some new faces and the start of an exciting mystery.I’m going to grab my copy and try to get a few chapters read tonight in the late evening sunshine. Because, frankly, that’s what Sookie would do.</p>
<p>Goodbye Sookie, we’ll miss you.</p>
<div>
<p><span style="text-decoration: underline;"><b>P</b><b></b><b>r</b><b>o</b><b>l</b><b>o</b><b>g</b><b></b><b>u</b><b>e</b></span></p>
<p><b>J</b><b>A</b><b>N</b><b>U</b><b>A</b><b>R</b><b>Y</b></p>
<p>The New Orleans businessman, whose gray hair put him in his fifties, was accompanied by his much younger and taller bodyguard/ chauffeur on the night he met the devil in the French Quarter. The meeting was by prearrangement.</p>
<p>“This is really the Devil we’re going to see?” asked the bodyguard.</p>
<p>He was tense—but then, that wasn’t too surprising.</p>
<p>“Not <i>the </i>Devil, but <i>a </i>devil.” The businessman was cool and col- lected on the outside, but maybe not so much on the inside. “Since he came up to me at the Chamber of Commerce banquet, I’ve learned a lot of things I didn’t know before.” He looked around him, trying to spot the creature he’d agreed to meet. He told his bodyguard, “He convinced me that he was what he said he was. I always thought my daughter was simply deluded. I thought she imagined she had power because she wanted to have something . . . of her own. Now I’m willing to admit she has a certain talent, though nowhere near what she thinks.” It was cold and damp in the January night, even in New Orleans.</p>
</div>
<div>
<p>The businessman shifted from foot to foot to keep warm. He told the bodyguard, “Evidently, meeting at a crossroads is traditional.” The street was not as busy as it would be in the summer, but there were still drink- ers and tourists and natives going about their night’s entertainment. He wasn’t afraid, he told himself. “Ah, here he comes,” the businessman said.</p>
<p>The devil was a well-dressed man, much like the businessman. His tie was by Hermes. His suit was Italian. His shoes were custom-made. His eyes were abnormally clear, the whites gleaming, the irises a pur- plish brown; they looked almost red from certain angles.</p>
<p>“What have you got for me?” the devil asked, in a voice that indi- cated he was only faintly interested.</p>
<p>“Two souls,” said the businessman. “Tyrese has agreed to go in with me.”</p>
<p>The devil shifted his gaze to the bodyguard. After a moment, the bodyguard nodded. He was a big man, a light-skinned African Amer- ican with bright hazel eyes.</p>
<p>“Your own free will?” the devil asked neutrally. “Both of you?” “My own free will,” said the businessman.</p>
<p>“My own free will,” affirmed the bodyguard.</p>
<p>The devil said, “Then let’s get down to business.”</p>
<p>“Business” was a word that made the older man comfortable. He smiled. “Wonderful. I’ve got the documents right here, and they’re signed.” Tyrese opened a thin leather folder and withdrew two pieces of paper: not parchment or human skin, nothing that dramatic or exotic—computer paper that the businessman’s office secretary had bought at OfficeMax. Tyrese offered the papers to the devil, who gave them a quick glance.</p>
</div>
<div>
<p>“You have to sign them again,” the devil said. “For this signature, ink is not satisfactory.”</p>
<p>“I thought you were joking about that.” The businessman frowned. “I never joke,” the devil said. “I do have a sense of humor, oh, believe</p>
<p>me, I do. But not about contracts.” “We actually have to . . . ?”</p>
<p>“Sign in blood? Yes, absolutely. It’s traditional. And you’ll do it now.” He read the businessman’s sideways glance correctly. “I promise you no one will see what you are doing,” he said. As the devil spoke, a sudden hush enveloped the three men, and a thick film fell between them and the rest of the street scene.</p>
<p>The businessman sighed elaborately, to show how melodramatic he thought this tradition was. “Tyrese, your knife?” he said, looking up to the chauffeur.</p>
<p>Tyrese’s knife appeared with shocking suddenness, probably from his coat sleeve; the blade was obviously sharp, and it gleamed in the streetlight. The businessman shucked off his coat and handed it to his companion. He unbuttoned his cuff and rolled up his sleeve. Perhaps to let the devil know how tough he was, he jabbed himself in the left arm with the knife. A sluggish trickle of blood rewarded his effort, and he looked the devil directly in the face as he accepted the quill that the devil had somehow supplied . . . even more smoothly than Tyrese had produced the knife. Dipping the quill into the trail of blood, the busi- nessman signed his name to the top document, which the chauffeur held pressed against the leather folder.</p>
<p>After he’d signed, the businessman returned the knife to the chauf-</p>
<p>feur and donned his coat. The chauffeur followed the same procedure as his employer. When he’d signed his own contract, he blew on it to dry the blood as if he’d signed with a Sharpie and the ink might smear.</p>
</div>
<div>
<p>The devil smiled when the signatures were complete. The moment he did, he didn’t look quite so much like a prosperous man of affairs.</p>
<p>He looked too damn happy.</p>
<p>“You get a signing bonus,” he told the businessman. “Since you brought me another soul. By the way, how do you feel?”</p>
<p>“Just like I always did,” said the businessman. He buttoned up his coat. “Maybe a little angry.” He smiled suddenly, his teeth looking as sharp and gleaming as the knife had. “How are you, Tyrese?” he asked his employee.</p>
<p>“A little antsy,” Tyrese admitted. “But I’ll be okay.”</p>
<p>“You were both bad people to begin with,” the devil said, without any judgment in his voice. “The souls of the innocent are sweeter. But I delight in having you. I suppose you’re sticking with the usual wish list? Prosperity? The defeat of your enemies?”</p>
<p>“Yes, I want those things,” the businessman said with passionate sincerity. “And I have a few more requests, since I get a signing bonus. Or could I take that in cash?”</p>
<p>“Oh,” the devil said, smiling gently, “I don’t deal in cash. I deal in favors.”</p>
<p>“Can I get back to you on that?” the businessman asked after some thought. “Take a rain check?”</p>
<p>The devil looked faintly interested. “You don’t want an Alfa Romeo or a night with Nicole Kidman or the biggest house in the French Quarter?”</p>
<p>The businessman shook his head decisively. “I’m sure something will come up that I do want, and then I’d like to have a very good chance of getting it. I was a successful man until Katrina. And after Katrina I thought I would be rich, because I own a lumber business. Everyone needed lumber.” He took a deep breath. He kept on telling his story, despite the fact that the devil looked bored. “But getting a supply line reestablished was hard. So many people didn’t have money to spend because they were ruined, and there was the wait for the insurance money, for the rest. I made some mistakes, believing the fly-by-night builders would pay me on time. . . . It all ended up with my business too extended, everyone owing me, my credit stretched as thin as a condom on an elephant. Knowledge of this is getting around.” He looked down. “I’m losing the influence I had in this city.”</p>
</div>
<div>
<p>Possibly the devil had known all those things, and that was why he’d approached the businessman. Clearly he was not interested in the businessman’s litany of woes. “Prosperity it is, then,” he said briskly. “And I look forward to your special request. Tyrese, what do you want? I have your soul, too.”</p>
<p>“I don’t believe in souls,” Tyrese said flatly. “I don’t think my boss does, either. We don’t mind giving you what we don’t believe we have.” He grinned at the devil, man-to-man, which was a mistake. The devil was no man.</p>
<p>The devil smiled back. Tyrese’s grin vanished at the sight. “What do you want?” the devil repeated. “I won’t ask again.”</p>
<p>“I want Gypsy Kidd. Her real name is Katy Sherboni, if you need that. She work at Bourbon Street Babes. I want her to love me the way I love her.”</p>
<p>The businessman looked disappointed in his employee. “Tyrese, I wish you’d asked for something more lasting. Sex is everywhere you look in New Orleans, and girls like Gypsy are a dime a dozen.”</p>
<p>“You wrong,” Tyrese said. “I don’t think I have a soul, but I know love is once in a lifetime. I love Gypsy. If she loves me back, I’ll be a happy man. And if you make money, boss, I’ll make money. I’ll have enough. I’m not greedy.”</p>
</div>
<div>
<p>“I’m all about the greed,” said the devil, almost gently. “You may end up wishing you’d asked for some government bonds, Tyrese.”</p>
<p>The chauffeur shook his head. “I’m happy with my bargain. You give me Gypsy, the rest will be all right. I know it.”</p>
<p>The devil looked at him with what seemed very much like pity, if that emotion was possible for a devil.</p>
<p>“Enjoy yourselves, you hear?” he said to both of the newly soulless men. They could not tell if he was mocking them or if he was sincere. “Tyrese, you will not see me again until our final meeting.” He faced the businessman. “Sir, you and I will meet at some date in the future. Just give me a call when you’re ready for your signing bonus. Here’s my card.” The businessman took the plain white card. The only writing on it was a phone number. It was not the same number he’d called to set up the first rendezvous. “But what if it’s years from now?” he said.</p>
<p>“It won’t be,” said the devil, but his voice was farther away. The businessman looked up to see that the devil was half a block away. After seven more steps he seemed to melt into the dirty sidewalk, leaving only an impression in the cold damp air.</p>
<p>The businessman and the chauffeur turned and walked hastily in the opposite direction. The chauffeur never saw this version of the devil again. The businessman didn’t see him until June.</p>
<p>&nbsp;</p>
<p><b>JU</b><b>NE</b><b><br />
</b></p>
<p>Far away—thousands of miles away—a tall, thin man lay on a beach in Baja. He was not in one of the tourist spots where he might encounter lots of other gringos, who might recognize him. He was patronizing a dilapidated bar, really more of a hut. For a small cash payment, the proprietor would rent patrons a large towel and a beach umbrella, and send his son out to refresh your drink from time to time. As long as you kept drinking.</p>
</div>
<div>
<p>Though the tall man was only sipping Coca-Cola, he was paying through the nose for it—though he didn’t seem to realize that, or perhaps he didn’t care. He sat on the towel, crouched in the umbrella’s shade, wearing a hat and sunglasses and swim trunks. Close to him was an ancient backpack, and his flip-flops were set on the sand beside it, casting off a faint smell of hot rubber. The tall man was listening to an iPod, and his smile indicated he was very pleased with what he heard. He lifted his hat to run his fingers through his hair. It was golden blond, but there was a bit of root showing that hinted his natural color was nearly gray. Judging by his body, he was in his forties. He had a small head in relation to his broad shoulders, and he did not look like a man who was used to manual labor. He didn’t look rich, either; his entire ensemble, the flip-flops and the swim trunks, the hat and the cast-aside shirt, had come from a Wal-Mart or some even cheaper dollar store.</p>
<p>It didn’t pay to look affluent in Baja, not with the way things were these days. It wasn’t safe, gringos weren’t exempt from the violence, and most tourists stayed in the established resorts, flying in and out with- out driving through the countryside. There were a few other expats around, mostly unattached men with an air of desperation . . . or secrecy. Their reasons for choosing such a hazardous place to live were better not discovered. Asking questions could be unhealthy.</p>
<p>One of these expats, a recent arrival, came to sit close to the tall man, too close for such proximity to be an accident on a thinly populated beach. The tall man gave the unwelcome newcomer a sideways look from behind his dark glasses, which were obviously prescription. The newcomer was a man in his thirties, not tall or short, not handsome or ugly, not reedy or muscular. He was medium in all aspects, physically. This medium man had been watching the tall man for a few days, and the tall man had been sure he’d approach him sooner or later.</p>
</div>
<div>
<p>The medium man had carefully selected the optimum moment. The two were sitting in a place on the beach where no one else could hear them or approach them unseen, and even with satellites in the atmosphere it was probable that no one could see them without being spotted, either. The taller man was mostly hidden under the beach umbrella. He noticed that his visitor was sitting in its shadow.</p>
<p>“What are you listening to?” asked the medium man, pointing to the earbuds inserted in the tall man’s ears.</p>
<p>He had a faint accent; maybe a German one? From one of those European countries, anyway, thought the tall man, who was not well traveled. And the newcomer also had a remarkably unpleasant smile. It <i>looked </i>okay, with the upturned lips and the bared teeth, but somehow the effect was more as if an animal were exposing its teeth preparatory to biting you.</p>
<p>“You a homo? I’m not interested,” the tall man said. “In fact, you’ll be judged with hellfire.”</p>
<p>The medium man said, “I like women. Very much. Sometimes more than they want.” His smile became quite feral. And he asked again, “What are you listening to?”</p>
<p>The tall man debated, staring angrily at his companion. But it had been days since he’d talked to anyone. At last, he opted for the truth.</p>
<p>“I’m listening to a sermon,” he said.</p>
<p>The medium man exhibited only mild surprise. “Really? A sermon? I wouldn’t have pegged you for a man of the cloth.” But his smile said otherwise. The tall man began to feel uneasy. He began to think of the gun in his backpack, less than an arm’s length away. At least he’d opened the buckles when he’d put it down.</p>
</div>
<div>
<p>“You’re wrong, but God won’t punish you for it,” the tall man said calmly, his own smile genial. “I’m listening to one of my own old sermons. I spoke God’s truth to the multitudes.”</p>
<p>“Did no one believe you?” The medium man cocked his head curiously.</p>
<p>“Many believed me. Many. I was attracting quite a following. But a girl named . . . A girl brought about my downfall. And put my wife in jail, too, in a way.”</p>
<p>“Would that girl’s name have been Sookie Stackhouse?” asked the medium man, removing his sunglasses to reveal remarkably pale eyes.</p>
<p>The taller man’s head snapped in his direction. “How’d you know?” he said.</p>
<p>&nbsp;</p>
<p><b>JU</b><b>NE</b></p>
<p>The devil was eating beignets, fastidiously, when the businessman walked up to the outside table. The devil noticed the spring in Copley Carmichael’s step. He looked even more prosperous than he had when he was broke. Carmichael was in the business section of the newspaper frequently these days. An infusion of capital had reestablished him very quickly as an economic force in New Orleans, and his political clout had expanded along with the money he pumped into New Orleans’s sputtering  economy, which had been dealt  a crippling  blow by Katrina. Which, the devil pointed out quickly to anyone who asked, he’d had simply nothing to do with.</p>
<p>Today Carmichael looked healthy and vigorous, ten years younger than he actually was. He sat at the devil’s table without any greeting. “Where’s your man, Mr. Carmichael?” asked the devil, after a sip of his coffee.</p>
</div>
<div>
<p>Carmichael was busy placing a drink order with the waiter, but when the young man was gone, he said, “Tyrese has trouble these days, and I gave him some time off.”</p>
<p>“The young woman? Gypsy?”</p>
<p>“Of course,” said Carmichael, not quite sneering. “I knew if he asked for her, he wouldn’t be pleased with the results, but he was so sure that true love would win in the end.”</p>
<p>“And it hasn’t?”</p>
<p>“Oh, yes, she’s crazy about him. She loves him so much she has sex with him all the time. She couldn’t stop herself, even though she knew she was HIV positive . . . a fact she didn’t share with Tyrese.”</p>
<p>“Ah,” the devil said. “Not my work, that virus. So how is Tyrese faring?”</p>
<p>“He’s HIV positive, too,” Carmichael said, shrugging. “He’s getting treatment, and it’s not the instant death sentence it used to be. But he’s very emotional about it.” Carmichael shook his head. “I always thought he had better sense.”</p>
<p>“I understand you wish to ask for your signing bonus,” the devil said. Carmichael saw no connection between the two ideas.</p>
<p>“Yes,” Copley Carmichael said. He grinned at the devil and leaned forward confidentially. In a barely audible whisper he said, “I know exactly what I want. I want you to find me a cluviel dor.”</p>
<p>The devil looked genuinely surprised. “How did you learn of the existence of such a rare item?”</p>
</div>
<div>
<p>“My daughter brought it up in conversation,” Carmichael said, with- out a hint of shame. “It sounded interesting, but she stopped talking before she told me the name of the person who supposedly has one. So I had a man I know hack into her e-mail. I should have done that earlier. It’s been illuminating. She’s living with a fellow I don’t trust. After our last conversation, she got so angry with me that she’s refused to see me. Now I can keep tabs on her without her knowing, so I can protect her from her own bad judgment.”</p>
<p>He was absolutely sincere when he made this statement. The devil saw that Carmichael believed that he loved his daughter, that he knew what was best for her under any circumstance.</p>
<p>“So Amelia had been talking to someone about a cluviel dor,” the devil said. “That led her to bring it up with you. How interesting. No one’s had one for . . . well, in my memory. A cluviel dor would have been made by the fae . . . and you understand, they are not tiny, cute creatures with wings.”</p>
<p>Carmichael nodded. “I’m astounded to discover what exists out there,” he said. “I have to believe in fairies now. And I have to consider that maybe my daughter isn’t such a screwball after all. Though I think she’s deluded about her own power.”</p>
<p>The devil raised his perfect eyebrows. There seemed to be more than one deluded person in the Carmichael family. “About the cluviel dor . . . the fae used them all. I don’t believe there are any left on earth, and I can’t go into Faery since the upheaval. A thing or two has been expelled <i>out </i>of Faery . . . but nothing goes in.” He looked mildly regretful.</p>
<p>“There is one cluviel dor available, and from what I can tell, it’s being concealed by a friend of my daughter’s,” Copley Carmichael said. “I know you can find it.”</p>
</div>
<div>
<p>“Fascinating,” the devil said, quite sincerely. “And what do you want it for? After I find it?”</p>
<p>“I want my daughter back,” Carmichael said. His intensity was almost palpable. “I want the power to change her life. So I know what I’ll wish for when you track it down for me. The woman who knows where it is . . . she’s not likely to give it up. It was a legacy from her grandmother, and she’s not a big fan of mine.”</p>
<p>The devil turned his face to the morning sun, and his eyes glowed red briefly. “Imagine that. I’ll set things in motion. The name of your daughter’s friend, the one who may know the whereabouts of the clu- viel dor?”</p>
<p>“She’s in Bon Temps. It’s up north, not too far from Shreveport. Sookie Stackhouse.”</p>
<p>The devil nodded slowly. “I’ve heard the name.”</p>
<p>&nbsp;</p>
<p><b>J</b><b>ULY</b><b><br />
</b></p>
<p>The next time the devil met with Copley Carmichael, three days af ter their conversation at Café du Monde, he dropped by Carmichael’s table at Commander’s Palace. Carmichael was waiting for his dinner and busy on his cell phone with a contractor who wanted to extend his credit line. Carmichael was unwilling, and he explained why in no uncertain terms. When he looked up, the devil was standing there in the same suit he’d worn when they’d met the first time. He looked cool and impeccable.</p>
<p>&nbsp;</p>
</div>
<div>
<p>As Carmichael put the phone down, the devil slid into the chair across from his.</p>
<p>Carmichael had jumped when he recognized the devil. And since he hated being surprised, he was unwise. He snarled, “What the hell do you mean coming here? I didn’t ask you to visit!”</p>
<p>“What the hell, indeed,” said the devil, who didn’t seem to take offense. He ordered a single malt whiskey from the waiter who’d mate- rialized at his elbow. “I assumed you’d want to hear the news of your cluviel dor.”</p>
<p>Carmichael’s expression changed instantly.  “You found it! You have it!”</p>
<p>“Sadly, Mr. Carmichael, I do not,” said the devil. (He did not sound sad.) “Something rather unexpected has thwarted our plans.” The waiter deposited the whiskey with some ceremony, and the devil took a sip and nodded.</p>
<p>“What?” Carmichael said, almost unable to speak for anger.</p>
<p>“Miss Stackhouse used the cluviel dor, and its magic has been expended.”</p>
<p>There was a moment of silence fraught with all the emotions the devil enjoyed.</p>
<p>“I’ll see her <i>ruined</i>,” said Copley Carmichael venomously, keeping his voice down with a supreme effort. “You’ll help me. That’s what I’ll take instead of the cluviel dor.”</p>
<p>“Oh my goodness. You’ve used your signing bonus, Mr. Carmichael. Mustn’t get greedy.”</p>
<p>“But you didn’t get me the cluviel dor!” Even though he was an experienced businessman, Carmichael was astonished and outraged.</p>
<p>“I found it and was ready to take it from her pocket,” said the devil.</p>
<p>“I entered the body of someone standing behind her. But she used it before I could extract it. <i>Finding  it </i>was the favor you requested. You used those words twice, and ‘track it down’ once. Our dealings are concluded.” He tossed back his drink.</p>
</div>
<div>
<p>“At least help me get back at her,” Carmichael said, his face red with rage. “She crossed us both.”</p>
<p>“Not me,” said the devil. “I’ve seen Miss Stackhouse up close and talked to many people who know her. She seems like an interesting woman. I have no cause to do her harm.” He stood up. “In fact, if I may advise you, walk away from this. She has some powerful friends, among them your daughter.”</p>
<p>“My daughter is a woman who runs around with witches,” Carmichael said. “She’s never been able to make her own living, not completely. I’ve been researching her ‘friends,’ very discreetly.” He sighed, sounding both angry and exasperated. “I understand their powers exist. I believe that now. Reluctantly. But what have they done with those powers? The strongest among them lives in a <i>shack</i>.” Carmichael’s knuckles rapped against the table. “My daughter could be a force in society in this town. She could work for me and do all kinds of charity stuff, but instead she lives in her own little world with her loser boy- friend. Like her friend Sookie. But I’ll even the score there. How many powerful friends could a waitress have?”</p>
<p>The devil glanced over to his left. Two tables away sat a very round man with dark hair, who was by himself at a table laden with food. The very round man met the devil’s eyes without blinking or looking away, which few men could do. After a long moment, the two nodded at each other.</p>
<p>Carmichael was glaring at the devil.</p>
<p>“I owe you nothing for Tyrese any longer,” said the devil. “And you are mine forever. Given your present course, I may have you sooner than I’d expected.” He smiled, a chilling expression on his smooth face, and he rose from the table and left.</p>
</div>
<div>
<p>Carmichael was even angrier when he had to pay for the devil’s whiskey. He never even noticed the very round man. But the very round man noticed him.</p>
<p><em id="__mceDel"><strong><a href="http://www.amazon.co.uk/Dead-Ever-After-Sookie-Stackhouse/dp/0575096616/ref=sr_1_1?ie=UTF8&amp;qid=1367939455&amp;sr=8-1&amp;keywords=dead+ever+after" target="_blank"><em> </em></a></strong><em id="__mceDel"><strong><a href="http://www.amazon.co.uk/Dead-Ever-After-Sookie-Stackhouse/dp/0575096616/ref=sr_1_1?ie=UTF8&amp;qid=1367939455&amp;sr=8-1&amp;keywords=dead+ever+after" target="_blank">Dead Ever After</a></strong> is out now where all good books are sold and this week only it’s <a href="http://www.amazon.co.uk/Dead-Ever-After-Sookie-Stackhouse/dp/0575096616/ref=sr_1_1?ie=UTF8&amp;qid=1367939455&amp;sr=8-1&amp;keywords=dead+ever+after" target="_blank">deal of the week on Amazon</a>! You can also pick up a <a href="http://www.waterstones.com/waterstonesweb/products/charlaine+harris/johanna+parker/dead+ever+after/9243435/" target="_blank">special exclusive edition from Waterstones</a> containing interviews with Charlaine Harris discussing the entire series. <a href="http://www.orionbooks.co.uk/Books/detail.page?isbn=9780575096615" target="_blank"><strong>Dead Ever After</strong> </a>is also one of the Books of the Month on the iBooks store.</em></em></p>
</div>
<p><em id="__mceDel"><em id="__mceDel">We are so happy to see so much love for Sookie and her final chapter.</em></em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.gollancz.co.uk/2013/05/farewell-sookie-dead-ever-after-is-here/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
