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The Earth is long dead, blasted apart, and the human survivors who settled on Venus live in huge citadels beneath the Venusian seas in an atrophying, class-ridden society ruled by the Immortals – genetic mutations who live a thousand years or more. Sam Reed was born an immortal, born to rule those with a normal life-span, but his deranged father had him mutilated as a baby so that he wouldn’t know of his heritage. And Sam grew up on the wrong side of the tracks and the law, thinking of the Immortals as his enemies. Then he reached the age of eighty, understood what had happened to him and went looking for revenge – and changed his decaying world forever.

Fury is a powerful, dark and compelling novel that explores the sensual, bloody and urgent nature of humankind’s striving.

Only five individuals stand between the killer robots of Krikkit and their goal of the total annihilation of the universe. They are Arthur Dent, homeless Englishman currently marooned in the deep past; his friend Ford Prefect, temporarily insane to see if he likes it, also marooned; Slartibartfast, once of the planet builders of Magrathea; Zaphod Beeblebrox, ex-confidence trickster and part-time galactic president; and Trillian, the sexy space cadet who is torn between a persistent Thunder God and a very depressed Beeblebrox. In other words: we’re doomed.

It is the twenty-first century. On Mars a dedicated group of pioneers – among them some of Earth’s finest brains – struggle to change the face of the planet . . .

Science fiction writer Martin Gibson finally gets a chance to visit the research colony on the Red Planet. It’s a dream come true – until he discovers the difficulties and perils of survival on another world . . . and the very real terror it holds.

It is a mysterious city whose sun is switched on in the morning and switched off at night, bordered by an abyss on one side and an impossibly high wall on the other. Its inhabitants are people who were plucked from twentieth-century history at various times and places and left to govern themselves, advised by Mentors whose purpose seems inscrutable. This is life in the Experiment.

Andrei Voronin, a young astronomer plucked from Leningrad in the 1950s, is a die-hard believer in the Experiment, even though his first job in the city is as a garbage collector. As increasinbly nightmarish scenarios begin to affect the city, he rises through the political hierarchy, with devastating effect.

In the year 2093, human consciousness has expanded to the point that man can visit the past using a technique called ‘mind-travelling’. Artist Edward Bush returns from a lengthy ‘trip’ to the Jurassic period to find the government overthrown by an authoritarian regime. Given his mind-travel experience, he is recruited by the new regime to track down and assassinate a scientist whose ideas threaten to topple the status quo. However, the job of an artist is not to take orders but to ask questions . . .

When a diplomat dies in the 1930s, he leaves behind a book of ‘dream visions’ he has been experiencing, detailing events that will occur on Earth for the next two hundred years.

This fictional ‘account of the future’ (similar to LAST AND FIRST MEN by Olaf Stapledon) proved prescient in many ways, as Wells predicts events such as the Second World War, the rise of chemical warfare and climate change.

‘No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s…’

So begins H. G. Wells’ classic novel in which Martian lifeforms take over planet Earth. As the Martians emerge, they construct giant killing machines – armed with heatrays – that are impervious to attack. Advancing upon London they destroy everything in their path. Everything, except the few humans they collect in metal traps.

Victorian England is a place in which the steam engine is state-of-the-art technology and powered flight is just a dream. Mankind is helpless against the killing machines from Mars, and soon the survivors are left living in a new stone age.

Two scientists develop a foodstuff that causes unparalleled growth in animals and humans. The results of their experimentation lead to chaos and unforseen consequences throughout the land.

THE FOOD OF THE GODS deals with many issues which are still present in science today and is a both witty and disturbing tale.

‘As we saw it first it was the wildest and most desolate of scenes. We were in an enormous amphitheatre, a vast circular plain, the floor of the giant crater. Its cliff-like wall closed us in on every side¿’

Thanks to the discovery of an anti-gravity metal, Cavorite, two Victorian Englishman decide to tackle the most prestigious goal – space travel. They construct a sphere that will ultimately take them to the moon. On landing, they encounter what seems like an utterly barren landscape but they soon find signs that the planet was once very much alive. Then they hear curious hammering sounds from beneath the surface, and come face to face with the Selenites, a race of insect-like aliens living in a rigidly organised hive society.

H.G. Wells’ great novel of the dangers of science describes a man cast out from society by his own terrifying discovery.

THE INVISIBLE MAN tells the story of Griffin, a brilliant and obsessed scientist dedicated to achieving invisibility. Taking whatever action is necessary to keep his incredible discovery safe, he terrorises the local village where he has sought refuge. Wells skilfully weaves the themes of science, terror and pride as the invisible Griffin gradually loses his sanity and, ultimately, his humanity.

A Victorian scientist develops a time machine and travels to the year 802,171 AD. There he finds the meek, child-like Eloi who live in fear of the underground-dwelling Morlocks. When his time machine goes missing, the Traveller faces a fight to enter the Morlocks’ domain and return to his own time.

THE TIME MACHINE remains one of the cornerstones of science-fiction literature and has proved hugely influential.

‘The historians can’t seem to settle whether to call this one ‘The Third Space War’ (or the fourth), or whether ‘The First Interstellar War’ fits it better. We just call it ‘The Bug War’. Everything up to then and still later were ‘incidents’, ‘patrols’ or ‘police actions’. However, you are just as dead if you buy the farm in an ‘incident’ as you are if you buy it in a declared war.‘

5,000 years in the future, humanity faces total extermination. Our one defence: highly-trained soldiers who scour the metal-strewn blackness of space to hunt down a terrifying enemy: an insect life-form known only as ‘Bugs.’

This is the story of trooper Johnny Rico, from his idealistic enlistment in the infantry of the future through his rigorous training to the command of his own platoon. And his destiny is a war that will span the galaxy.

An extraordinary epic, set a million years in the future, in the time of a dying sun, when our present culture is no longer even a memory.

Severian, a torturer’s apprentice, is exiled from his guild after falling in love with one of his prisoners. Ordered to the distant city of Thrax, armed with his ancient executioner’s sword, Terminus Est, Severian must make his way across the perilous, ruined landscape of this far-future Urth. But is his finding of the mystical gem, the Claw of the Conciliator, merely an accident, or does Fate have a grander plans for Severian the torturer . . . ?

This edition contains the first two volumes of this four volume novel, The Shadow of the Torturer and The Claw of the Conciliator.

The 21st century.

Europe is divided between the First World bourgeoisie, made rich by nanotechnology and the cheap versatile slave labour of genetically engineered Dolls and the Fourth World of refugees and homeless displaced by war and economic upheaval. In London, Alex Sharkey is trying to make his mark as a designer of psychoactive viruses, whilst staying one step ahead of the police and the Triad gangs. At the cost of three hours of his life, he finds an unlikely ally in a scary, super-smart little girl called Milena, but his troubles really start when he helps Milena quicken intelligence in a Doll, turning it into the first of the fairies.

Milena isn’t sure if she’s mad or if she’s the only sane person left in the world; she only knows that she wants to escape to her own private Fairyland and live forever. Although Milena has created the fairies for her own ends, some of the Folk, as fey and dangerous as any in legend, have other ideas about her destiny …

SWASTIKA NIGHT takes place seven hundred years after Nazism achieved power, by which time Adolf Hitler is worshipped as a god. Elsewhere, the Japanese rule the Americas, Australia, and Asia. Though Japan is the only rival superpower to the Nazi West, their inevitable wars always end in stalemate. The fascist Germans and Japanese suffer much difficulty in maintaining their populations, because of the physical degeneration of their women.
The protagonist is an Englishman named Alfred on a German pilgrimage. In Europe, the English are loathed because they were the last opponents of Nazi Germany in the war. Per official history, Hitler is a tall, blond god who personally won the war. Alfred is astounded when shown a secret, historic photograph depicting Hitler and a girl before a crowd. He is shocked that Hitler was a small man with dark hair and a paunch. And his discovery may mean his death…

‘I am Zhang, alone with my light, and in that light I think for a moment that I am free.’

Imagine a world where Chinese Marxism has vanquished the values of capitalism and Lenin is the prophet of choice. A cybernetic world where the new charioteers are flyers, human-powered kites dancing in the skies over New York in a brief grab at glory. A world where the opulence of Beijing marks a new cultural imperialism, as wealthy urbanites flirt with interactive death in illegal speakeasies, and where Arctic research stations and communes on Mars are haunted by their own fragile dangers.

A world of fear and hope, of global disaster and slow healing, where progress can only be found in the cracks of a crumbling hegemony. This is the world of Zhang. An anti-hero who’s still finding his way, treading a path through a totalitarian order – a path that just might make a difference.

To the residents of Abalone, Arizona, a sleepy southwestern town whose chief concern is surviving the Great Depression, the arrival of a circus in town is a chance to forget their woes for a while. But this is the circus of Dr. Lao and instead of relief, the townsfolk are confronted with an array creature seemingly straight out of mythology: a chimera, a Medusa, a sphinx, a sea serpent and, of course, the elusive, ever-changing Dr. Lao. As the circus unfolds, it spins events towards a climactic final act that will change the lives of Abalone’s residents for ever.

David’s father doesn’t approve of Angus Morton’s unusually large horses, calling them blasphemies against nature. And blasphemies, as everyone knows, should be burned: KEEP PURE THE STOCK OF THE LORD; WATCH THOU FOR THE MUTANT.

Little does he realise that his own son – and his son’s cousin Rosalind and their friends – have their own secret aberration which would label them as mutants. And mutants, as everyone knows, should be burned.

But as David and Rosalind grow older it becomes more difficult to conceal their differences from the village elders. Soon they face a choice: wait for eventual discovery – and death – or flee to the terrifying and mutable Badlands . . .

Rod McBan 151st farms ‘stroon’, the immortality drug, and is the last scion of one of the oldest and most honourable families on Norstrilia, only source of stroon. But he’s also a telepathic cripple and faces the ever-present risk of being culled under the government’s draconian population laws.

To protect himself, he uses his not-strictly-legal computer to play the market and amass an unimaginable fortune. But after he survives an assassination attempt, McBan discovers that having enough money to literally buy the Earth is no good if you’re too dead to spend it . . .

A whisperjewel from Gwen Delvano calls Dirk t’Larien across space and beyond the Tempter’s Veil to Worlorn, a dying Festival planet of rock and ice. Warlorn is slowly drifting through twilight to neverending night; as the planet sinks into darkness, so its inhabitants face annihilation.

Seven years ago, on Avalon, Gwen was Dirk’s lover, his Guenevere; now she wears the jade-and-silver bond of Jaantony Riv Wolf high-Ironjade Vikary, a barbarian visionary, an outcast from his own people for his acts of violence. And Garse Janacek, Jaan’s *teyn*, his shieldmate, is also bound to Gwen – in hatred. Dirk, a rogue and a wanderer, is called to be saviour of the three who are bonded together in love and hate.

But in breaking their triangle, he could lose all …

In the aftermath of an atomic war, a new international movement of pacifism has arisen. Multitudes of young men have chosen to curb their aggressive instincts through voluntary amputation – disarmament in its most literal sense.

Those who have undergone this procedure are highly esteemed in the new society. But they have a problem – their prosthetics require a rare metal to function, and international tensions are rising over which countries get the right to mine it . . .

Sybel, the beautiful great-granddaughter of the wizard Heald, has grown up on Eld Mountain with only the fantastic beasts summoned there by wizardry as companions. She cares nothing for humans until, when she is 16, a baby is brought for her to raise, a baby who awakens emotions that she has never known before.

But the baby is Tamlorn, the only son of King Drede, and, inevitably, Sybel becomes entangled in the human world of love, war and revenge – and only her beasts can save her from the ultimate destruction…

In a land where wizards have long since vanished, Morgon, Prince of Hed, is confronted with a challenge much different from that faced by his land-bound predecessors. Although he wants only to rule and work the land of his birth, Morgon must search out a very different destiny – one dictated since birth by the mark of three stars imprinted on his forehead.

He must wander strange, foreign lands full of untamed magic in the form of riddling wraiths, mysterious harpists, a lost crown, a magical sword and an all-knowing High One who rules over all. In his quest for a new life for himself and his people, he must face great dangers – not only to himself but to his promised bride, his land and his very way of life . . .

This volume contains The Riddle-Master of Hed, Heir of Sea and Fire and Hugo and World Fantasy Award-shortlisted Harpist in the Wind – the complete Riddle-Master trilogy, which is among the most respected and popular fantasies of recent years.

When Grendel is drawn up from the caves under the mere, where he lives with his bloated, inarticulate hag of a mother, into the fresh night air, it is to lay waste Hrothgar’s meadhall and heap destruction on the humans he finds there. What else can he do? For he is not like the men who busy themselves with God and love and beauty. He sees the infuriating human rage for order and recognises the meaninglessness of his own existence.

GRENDEL is John Gardner’s masterpiece; it vividly reinvents the world of Beowulf. In Grendel himself, a creature of grotesque comedy, pain and disillusioned intelligence, Gardner has created the most unforgettable monster in fantasy.