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An extraordinary epic, set a million years in the future, in the time of a dying sun, when our present culture is no longer even a memory.

Severian, a torturer’s apprentice, is exiled from his guild after falling in love with one of his prisoners. Ordered to the distant city of Thrax, armed with his ancient executioner’s sword, Terminus Est, Severian must make his way across the perilous, ruined landscape of this far-future Urth. But is his finding of the mystical gem, the Claw of the Conciliator, merely an accident, or does Fate have a grander plans for Severian the torturer . . . ?

This edition contains the first two volumes of this four volume novel, The Shadow of the Torturer and The Claw of the Conciliator.

‘As we saw it first it was the wildest and most desolate of scenes. We were in an enormous amphitheatre, a vast circular plain, the floor of the giant crater. Its cliff-like wall closed us in on every side¿’

Thanks to the discovery of an anti-gravity metal, Cavorite, two Victorian Englishman decide to tackle the most prestigious goal – space travel. They construct a sphere that will ultimately take them to the moon. On landing, they encounter what seems like an utterly barren landscape but they soon find signs that the planet was once very much alive. Then they hear curious hammering sounds from beneath the surface, and come face to face with the Selenites, a race of insect-like aliens living in a rigidly organised hive society.

When a diplomat dies in the 1930s, he leaves behind a book of ‘dream visions’ he has been experiencing, detailing events that will occur on Earth for the next two hundred years.

This fictional ‘account of the future’ (similar to LAST AND FIRST MEN by Olaf Stapledon) proved prescient in many ways, as Wells predicts events such as the Second World War, the rise of chemical warfare and climate change.

The time: 200 years after man’s first landing on the Moon. There are permanent populations established on the Moon, Venus and Mars. Outer space inhabitants have formed a new political entity, the Federation, and between the Federation and Earth a growing rivalry has developed. EARTHLIGHT is the story of this emerging conflict.

Two centuries from now there may be men who do not owe allegiance to any nation on Earth, or even to Earth itself. This brilliant story tells of a time when man stands upon the moon and the planets, tells of men now divided by the vast stretches of the Solar System but once again torn by jealousy and fear. With vaulting imagination Arthur C. Clarke describes life on the strange, awe-inspiring surface of the moon, scene of a most fantastic and exciting contest of arms.

In the year ten billion A.D., Diaspar is the last city on Earth. Agelss and unchanging, the inhabitants see no reason to be curious about the outside world. But one child, Alvin – only seventeen and the last person to be born in Diaspar – finds that he is increasingly drawn to what lies outside the city walls. Even though he knows the Invaders, who devastated the world, may still be out there…

Later rewritten, expanded and republished as The City and the Stars, this early novella by one of the greats of science fiction remains a powerful and evocative depiction of the future of humanity…

‘The historians can’t seem to settle whether to call this one ‘The Third Space War’ (or the fourth), or whether ‘The First Interstellar War’ fits it better. We just call it ‘The Bug War’. Everything up to then and still later were ‘incidents’, ‘patrols’ or ‘police actions’. However, you are just as dead if you buy the farm in an ‘incident’ as you are if you buy it in a declared war.‘

5,000 years in the future, humanity faces total extermination. Our one defence: highly-trained soldiers who scour the metal-strewn blackness of space to hunt down a terrifying enemy: an insect life-form known only as ‘Bugs.’

This is the story of trooper Johnny Rico, from his idealistic enlistment in the infantry of the future through his rigorous training to the command of his own platoon. And his destiny is a war that will span the galaxy.

‘No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s…’

So begins H. G. Wells’ classic novel in which Martian lifeforms take over planet Earth. As the Martians emerge, they construct giant killing machines – armed with heatrays – that are impervious to attack. Advancing upon London they destroy everything in their path. Everything, except the few humans they collect in metal traps.

Victorian England is a place in which the steam engine is state-of-the-art technology and powered flight is just a dream. Mankind is helpless against the killing machines from Mars, and soon the survivors are left living in a new stone age.

Grand Master Ursula K. LeGuin has been recognised for almost fifty years as one of the most important writers in the SF field – and is likewise feted beyond the confines of the genre. The Wind’s Twelve Quarters was her first collection and it brings together some of finest short fiction, including the Hugo Award-winning ‘The Ones Who Walk Away from Omelas’, the Nebula Award-winning ‘The Day Before the Revolution’, and the Hugo-nominated ‘Winter’s King’, which gave readers their first glimpse of the world later made famous in her Hugo- and Nebula-winning masterpiece The Left Hand of Darkness.

There are seven billion-plus humans crowding the surface of 21st-century Earth. It is an age of intelligent computers, mass-market psychedelic drugs, politics conducted by assassination, scientists who burn incense to appease volcanoes … all the hysteria of a dangerously overcrowded world, portrayed in a dazzlingly inventive style.

Moving, sensory, impressionistic, as jagged as the times it portrays, this book is a real mind stretcher – and yet beautifully orchestrated to give a vivid picture of the whole.

1981. A different Britain. When Norman Forrester of the Defence Ministry’s Experimental Institute effects a successful fertilisation of a female gorilla with human sperm, an infant is born. Gordon, known as Gor, is his son in two senses. But Gor’s parentage must remain a secret. He has no legal existence as an individual because his existence has never been divulged to the government data bank. In more than one way, Gor is a ‘non-person’.

Operated on so that he is capable of speech, Gor grows through boyhood and adolescence into a strong, intelligent youth. When he discovers his true identity, he is devastated by his outcast destiny. But is there the possibility of a home amongst some of the exiles from a computer-dominated class-oriented society? And if Gor can find them, will they accept him?

Maureen Duffy’s novel offers both an enthralling, fast-moving narrative and a vivid parable of the individual’s struggle to win acceptance from his fellows and to overcome the forces that seek to destroy human individuality in any age.

A few years in the future, medical science has advanced to the point where it is practically unheard of for people to die of any cause except old-age. The few exceptions provide the fodder for a new kind of television show for avid audiences who lap up the experience of watching someone else’s dying weeks. So when Katherine Mortenhoe is told that she has about four weeks to live she knows it’s not just her life she’s about to lose, but her privacy as well.

The James Tiptree Jr Award-winning novel.

Change or die. These are the only options available on the planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony has lost touch with the rest of humanity, a company arrives to exploit Jeep – and its forces find themselves fighting for their lives.

Terrified of spreading the virus, the company abandons its employees, leaving them afraid and isolated from the natives. In the face of this crisis, anthropologist Marghe Taishan arrives to test a new vaccine. As she risks death to uncover the women’s biological secret, she finds that she, too, is changing – and realizes that not only has she found a home on Jeep, but that she alone carries the seeds of its destruction …

John Wainwright is a freak, a human mutation with an extraordinary intelligence which is both awesome and frightening to behold. Ordinary humans are mere playthings to him. And Odd John has a plan to create a new order on Earth, a new supernormal species. But the world is not ready for such a change …

Joshua Kampa is torn between two worlds – the Early Pleistocene Africa of his dreams and the 20th-century reality of his waking life. These worlds are transposed when a government experiment sends him over a million years back in time. Here, John builds a new life as part of a tribe of protohumans. But the reality of early Africa is much more challenging than his fantasies. With the landscape, the species, and John himself evolving, he reaches a temporal crossroads where he must decide whether the past or the future will be his present.

SWASTIKA NIGHT takes place seven hundred years after Nazism achieved power, by which time Adolf Hitler is worshipped as a god. Elsewhere, the Japanese rule the Americas, Australia, and Asia. Though Japan is the only rival superpower to the Nazi West, their inevitable wars always end in stalemate. The fascist Germans and Japanese suffer much difficulty in maintaining their populations, because of the physical degeneration of their women.
The protagonist is an Englishman named Alfred on a German pilgrimage. In Europe, the English are loathed because they were the last opponents of Nazi Germany in the war. Per official history, Hitler is a tall, blond god who personally won the war. Alfred is astounded when shown a secret, historic photograph depicting Hitler and a girl before a crowd. He is shocked that Hitler was a small man with dark hair and a paunch. And his discovery may mean his death…

The 21st century.

Europe is divided between the First World bourgeoisie, made rich by nanotechnology and the cheap versatile slave labour of genetically engineered Dolls and the Fourth World of refugees and homeless displaced by war and economic upheaval. In London, Alex Sharkey is trying to make his mark as a designer of psychoactive viruses, whilst staying one step ahead of the police and the Triad gangs. At the cost of three hours of his life, he finds an unlikely ally in a scary, super-smart little girl called Milena, but his troubles really start when he helps Milena quicken intelligence in a Doll, turning it into the first of the fairies.

Milena isn’t sure if she’s mad or if she’s the only sane person left in the world; she only knows that she wants to escape to her own private Fairyland and live forever. Although Milena has created the fairies for her own ends, some of the Folk, as fey and dangerous as any in legend, have other ideas about her destiny …

One of America’s greatest writers gives us his unique perspective on our fears of nuclear annihilation

Experiment.

Told with deadpan humour and bitter irony, Kurt Vonnegut’s cult tale of global destruction preys on our deepest fears of witnessing Armageddon and, worse still, surviving it.

Solution.

Dr Felix Hoenikker, one of the founding fathers of the atomic bomb, has left a deadly legacy to the world. For he is the inventor of ice-nine, a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker’s three eccentric children, to a crazed dictator in the Caribbean, to madness. Felix Hoenikker’s death-wish comes true when his last, fatal, gift to mankind brings about an end that, for all of us, is nigh.

The Caltraps of Time is David I. Masson’s only published book of fiction, a collection of short stories, most of which made their first appearance in New Worlds SF during the 1960s under the legendary editorship of Michael Moorcock.

An apocalyptic battle at the edge of the unknown, the deadly fascination of voracious magma, a world where the weather expresses itself as mood. These are only some of the themes tackled with superb scientific speculation by David I. Masson.

A uniquely powerful novel of a society in decay. On a planet whose very nature is a mystery a massive decrepit city is pulled along a massive railway track, laying the line down before it as it progresses into the wilderness.

The society within toils under an oppressive regime, its structures always on the point of collapse, the lives of its individuals lived in misery. No one knows where they are going, why they are going or what they will find when they get there.

The ending of the novel provides one of the most profound twists in SF.

Giant, technologically superior aliens have conquered Earth, but humankind survives – even flourishes in a way. Men and women live, like mice, in burrows in the massive walls of the huge homes of the aliens, and scurry about under their feet, stealing from them. A complex social and religious order has evolved, with women preserving knowledge and working as healers, and men serving as warriors and thieves.

For the aliens, men and women are just a nuisance, nothing more than vermin. Which, ironically, may just be humankind’s strength and point the way forward.

Two scientists develop a foodstuff that causes unparalleled growth in animals and humans. The results of their experimentation lead to chaos and unforseen consequences throughout the land.

THE FOOD OF THE GODS deals with many issues which are still present in science today and is a both witty and disturbing tale.

Among the best-written and most emotionally complex stories of the Pulp Era, the tales of intergalactic bootlegger Northwest Smith still resonate strongly more than 75 years after their first publication.

From the crumbling temples of forgotten gods on Venus to the seedy pleasure halls of old Mars, the thirteen stories in Northwest of Earth blaze a trail through the underbelly of the solar system. The quick-drawing smuggler of the spaceways who would become the model for countless science fiction heroes, Northwest Smith is SF’s original outlaw.

Francis Conway is Swill – one of the 90% in the year 2041 who must subsist on the inadequate charities of the state. A young boy growing. Life, already difficult, is rapidly becoming impossible for Francis and others like him, as government corruption, official blindness and nature have conspired to turn Swill homes into watery tombs. And now the young boy must find a way to escape the approaching tide of disaster.

THE SEA AND SUMMER, published in the US as THE DROWNING TOWERS, is George Turner’s masterful exploration of the effects of climate change in the not-too-distant future. Comparable to J.G. Ballard’s THE DROWNED WORLD, it was shortlisted for the NEBULA AWARD and won the ARTHUR C. CLARKE AWARD.

It’s just a little later than now and Lola Hart is writing her life in a diary. She’s a nice middle-class girl on the verge of her teens who schools at the calm end of town.

A normal, happy, girl.

But in a disintegrating New York she is a dying breed. War is breaking out on Long Island, the army boys are flamethrowing the streets, five Presidents have been assassinated in a year. No one notices any more. Soon Lola and her family must move over to the Lower East side – Loisaida – to the Pit and the new language of violence of the streets.

The metamorphosis of the nice Lola Hart into the new model Lola has begun …