A powerful meditation on loss and memory seen through the prism of 9/11, by one of our greatest authors.
Ben Matson lost someone he loved in the 9/11 attacks. Or thinks he did – no body has been recovered, and she shouldn’t have been on that particular plane at that time. But he knows she was.
The world has moved on from that terrible day. Nearly 20 years later, it has faded into a dull memory for most people. But a chance encounter rekindles Ben’s interest in the event, and the inconsistencies that always bothered him.
Then the announcement of the recovery of an unidentified plane crash sets off a chain of events that will lead Ben to question everything he thought he knew . . .
Thoughtful, impeccably researched and dazzling in its writing, this is Ben’s story, the story of what happened to his fiancé, and the story of all that happened on 9/11.
Always well-written, [Christopher Priest's] books are known for a preciseness of prose where every word and sentence counts (even when you do not realise it). What he then does is stealthily construct a world of truths and half-truths, of twisted versions of reality which read so well that they often deceive.
A meditation on loss and an examination of possibly flawed memory.
Brilliantly constructed, cleverly contrived to fox our memories, so you end the novel trying to puzzle out what it was you just read.
Priest's smooth and clear writing style makes the reader care about his characters. A plethora of small details gradually come together to deliver a really satisfying novel.
Britain's pre-eminent writer of literary science fiction.
This is a quiet masterpiece in a career full of them: a gripping, mournful, powerful novel that guides the reader through truths - and fictions - about the way the media and what we recall can work together to fool us.
An effortlessly intelligent and engrossing novel.
Neil Williamson, author of The Moon King
In that way, AN AMERICAN STORY's intriguing and quietly engrossing meditation on narratives which lack closure stands tall.